1. I Always Go Back to Me (2010)
2. Please Take Care of This (2009)
3. Be With and Without Me (2009)
4. Face the Whole (2011)
5. Blow your Mind (2010)
6. Bright Darkness (2010)
7. You are Now (2013)
8. Faces that I Have to Face Before I Sleep (2010)
9. The Inner Inside (2009)
10. Weight of You (2009)
(via warbells)
(via akaney06)
(via danforth)
Phlegm seems to have returned to painting in Sheffield regularly as of late.
This piece, entitled ‘Fossils’, is painted only a few weeks after his Millennium Gallery commissioned piece.
Created near Sheffield’s sewer system, the location matches the theme of the painting perfectly.
Hopefully there’ll be lots more to come from Phlegm in his hometown in the coming weeks.
SheffieldStreetArt on Tumblr
SheffieldStreetArt on Twitter
SheffieldStreetArt on Instagram
Sheffield Street Art & Graffiti - Facebook
Any questions or suggestions? - Email them to sheffieldstreetart@gmail.com
Humans Since 1982 - Surveillance Chandelier (2011)
Took this last month at Newcastle, I think it’s a University building or something of that sort. The thing that strikes me about this photo is the judgement of perception according to which way you look at it at first glance; an unintended illusion.
“We tremble at the feelings we experience as our sense of wholeness is reorganized by what we see.”—Emmet Gowin
The Finnish-born photographer Sirkka-Liisa Kontinnen is once again garnering the attention she merits. Experiencing something of a notoriety renaissance for her “Byker” series from the late 60’s/70’s (currently on view at L. Parker Stephenson Photographs until May 11th), it’s exciting to see Ms. Kontinnen reaching new audiences.
Kontinnen’s images, taken within the communities of Newcastle-upon-Tyne, sought to capture the humor and dignity of working-class Geordie culture as they, like other poor neighborhoods in the north of England, saw their homes devastated by developers keen to tear down the “slums” and replace them with architectural and planning fantasies that bore no connection to the people actually living there. Kontinnen and friends, as part of the Amber Collective, traveled to Byker and documented the impact over a ten year period. These photographs should, therefore, be understood for their political and social undertones.
Aside from their didactic message, Kontinnen’s images possess the power of intimacy and connection. The wonderful compositions and tonal ranges add to their beauty; however, it is the emotive energy in the images that sets them apart. I, for one, feel the love. —Lane Nevares
(via photographsonthebrain)
Konstantin Datz - Rubik’s Cube for the Blind (2010)
